The art of looking convincing in a sword fight or brawl is crucial to stage and screen. Punches dont hit flesh and knives lay flat against the victim.
The audience must believe it is real and dangerous.
When I tell them I can kill the six inches around them, they definitely give me some interesting looks, said Emily Redfield, a 蹤獲扦theater performance major.
In July, 蹤獲扦 seniors Redfield and Cat Kee attended the National Stage Combat Workshop in Ruston, La. The three-week course offered instruction, testing and certification with weapons such as swords, shields, firearms, rapiers, daggers and quarterstaffs.
Theres always something else to learn, said Kee, a senior who attended for a second summer. I really enjoy Hollywood single sword think Pirates of the Caribbean or The Princess Bride. Theres a lot of things you can do with it.
Both Redfield and Kee found their love for stage combat through courses at Wichita State taught by Ed Baker and his late wife, Danette. Kee, also a theater performance major, took the course as a sophomore.
I hated the first two weeks of it, Kee said. I didnt like the contact and how close we were for other actors.
Three weeks in, the choreography, skill and drama clicked.
Theres always an out, theres always a stop if you need it, said Kee, from Frankfort, Kansas. Then I loved it and I never wanted to do anything else.
Redfield performed in plays at Valley Center High School. At 蹤獲扦, the courses taught by the Bakers opened a new direction for her drama career.
Its so interesting how intricate stage combat can be, she said. Youve got to think about what angle youre at, how to make sure the punch looks real from all audience members perspective.
Both Redfield and Kee love movies such as The Princess Bride for their acrobatic swordplay and humor. Redfield often watches The Hunger Games movies to break down how those actors work.
How did they do that trying to see if I could catch any of the tricks, Redfield said. Its something you have to carefully watch. If youre throwing a punch, its about hiding the areas between you and your partner.
Kee and Redfield plan futures in acting with options including stunt work, teaching and film or plays.